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A Second Story for Your Wedding Dress

Bridal pieces are very special to me —
it was my own wedding dress, and the flowers Nick brings home every other week,
that first drew me into the world of natural dyes.

 

Their fading hues remind me that beauty transforms —
nothing truly ends, it simply changes form.
From there grew my passion and reverence for every garment I work with.

 

At Studio Kühü, we believe a wedding dress can live many lives.

Whether you want to honour your memories, carry them into the future,
or prepare your dress for a new chapter,
we offer a slow, soulful dyeing service that transforms your most meaningful garment.

 

Each piece is hand-dyed with natural pigments and intention — no synthetic dyes, no azo pigments, no chemical finishes.

No two results alike.


The colour is crafted especially for your dress, your fabric, and the story it holds.

 

This service is for the bride who wants to wear her dress again — for another life moment, for a ceremonial occasion,

or to create a family heirloom with renewed meaning. It's also a way to softly disguise discolouration or small marks the day left behind.

We also offer the option to immortalise the flowers from your bouquet through natural dyeing.
These can be bundled directly onto your dress (depending on the fabric),
or transformed into a keepsake piece such as a scarf, flower brooch, or hand-dyed kimono.

 

We work with natural fibres only — silk, cotton, linen —and embrace tonal variation, subtle texture, and softness.
It usually takes 2–3 weeks, or 4–6 during busy seasons.

For brides who may need alterations or restyling, this service is available by request.
 

We also collaborate with trusted dry cleaners specialising in premium hand-washing for delicate, high-value garments — and we'd be happy to connect you with them to ensure your dress is cared for safely before or after the dyeing process.

Each project begins with a consultation, in studio or virtual. Pricing is shaped by fibre, depth of colour, and the complexity of your dress — every commission is bespoke. A 50% deposit confirms your booking, with the balance due before delivery.

 

If you'd like to honour your dress with soul and care,

we'd be honoured to guide it into its second story.

Or drop us an email at​ contact@studiokuhu.com

Thank Ü

These are some of examples of the beautiful dresses I've been honour to give another life in colour to continue their story with them.

Botanical patterns —

bundle dyed

​These are examples of dresses I’ve printed with flowers from bridal bouquets and seasonal blooms gathered in the studio.


Each flower and season offers a unique colour language, leaving behind their shape and essence on the fabric.

This process is a beautiful way to infuse the cloth with the spirit of the flowers.


We sometimes add gentle sprinkles of botanical pigments to create subtle sparkles of colour — or simply let the petals speak for themselves, revealing soft, watercolour-like patterns.

Rosa's dress

Rosa’s Halfpenny London ensemble — the Cheryl dress and Bay skirt — found new life after her wedding.

She envisioned a blue theme for its transformation and chose our beloved steel blue, a tone that suited her beautifully.

 

Both pieces took the dye wonderfully, revealing a graceful contrast between the smooth silk of the dress and the textured 3D guipure of the overskirt.

Fernanda's dress

Fernanda chose this lovely Reformation Jeany Silk Dress for her pre-reception in Mérida, Mexico — a warm-up celebration before her wedding.

 

With all guests dressed in white, she wanted to stand out in colour.

The dress was fully bespoke, hand-printed using an actual rose and a selection of natural dyes to create painterly, watercolour patterns.

 

Her brief was to bring brightness and joy, honouring her Mexican heritage.

Georgia's dress

Georgia’s dress is a true jewel — a vintage piece from

Dickins & Jones, Regent Street, crafted in a

beautiful

jacquard. It was a gift from her close friend’s grandmother for her wedding, carrying layers of love and history.

She later worked with a dressmaker to remove the sleeves and transform it into a strapless dress.

 

The offcuts were used for testing, as the original label was missing and we weren’t certain of the fabric content. It dyed beautifully — a shade that matched her lovely blue eyes.

Rebecca's dress

Rebecca’s dress carries her own craftsmanship — she’s an incredible pattern cutter who designed and made it herself. The piece layers three different types of silk that move together so gracefully, each absorbing the dye in its own way and creating subtle shifts of tone through the translucent fabrics.

Before dyeing, she removed the train, allowing me to test how each silk would respond to the chosen colour — a quiet ritual before transforming the whole piece.
The shade she envisioned was inspired by her bouquet and the flowers that surrounded her wedding day.

Jenna's dress

For her silk Roksanda midi dress — a piece she had worn around her wedding — Jenna wanted to give it a new life so she could keep wearing it beyond that moment.


She was initially drawn to a deep navy, but during our consultation I suggested a soft steel blue — a tone both timeless and contemporary, and one that beautifully echoed the colour of her eyes.

Together, we explored that quiet middle ground between grey and blue — elegant, understated, and luminous in movement.

When she later wrote to tell me how much she loved it, she said that several people had commented on how perfectly the colour matched her eyes.


I couldn’t have wished for a sweeter note to close the process.

Leenoy's dress

 

Leenoy dreamed of giving her wedding dress a new story — to wear it again for a friend’s wedding in Greece.

 

She imagined a soft pastel tone, something delicate and luminous, that would feel light and joyful under the Mediterranean sun.

During our conversation, we chose a gentle lilac born from cochineal — a colour that carries both sweetness and strength. Her Zimmermann dress, made of linen and silk, revealed its own quiet magic in the dye bath: each fibre reflecting the pigment differently, creating subtle variations in tone and texture.

The result was a tender harmony between fabric and colour — a second beginning for a dress already filled with memories.

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